Sound Design and Soundtrack - Alessandro Gambato

KERAMA MARAZZI Collection 2024

Soundtrack and Sound Design, 2024

Original soundtrack and sound design for KERAMA MARAZZI Collection 2024.

Journey Of Labels - Food of War from ETIMO on Vimeo.

Food of War - Journey Of Labels

Soundtrack and Sound Design, 2024

Original soundtrack and sound design for Food of War - Journey Of Labels. Produced by Etimo Production

More info at Food of War's website

Caravane Earth – The Majlis – Venezia from ETIMO on Vimeo.

Caravane Earth

The Majlis: A Meeting Place

Sound Design, 2023

Sound design for Caravane Earth's – The Majlis, an architectural project, exhibition, and meeting place, presented for the Venice Biennale in 2021. Produced by Etimo Production

Blustyle - GEOS

Soundtrack and Sound Design, 2023

Original soundtrack and sound design for Bluestyle commercial, produced by Etimo Production

Director's Cut Vimeo link

INTERVALLO - 6'31'', 2020
Password on request

INTERVALLO

Short film shot and directed by Ugo Carmeni
Runtime: 6' 31'', 2020

Official selection, Berlin Short Film Festival, 2023

Premiered at Isola Edipo - Giornate degli Autori, collateral event of the 77th Venice International Film Festival, 2020

Produced by CM Art Productions / UC Studio
Executive Producer: Chiara Marin
Edited by Francesco Lughi
Sound design by Alessandro Gambato

The “intervallo” in the Rai schedule was an empty space between one transmission and another filled with music and images.

Inter-vàllum, from the Latin inter “between” and vàllus “pole”, from which vàllum palisade, describes the empty space between one and the other pole; (by extension) space between two terms of time or place.

This work alludes both to the physical nature of Venice, whose foundations were built thanks to palisades and then also the gaps between them, and the liquid Venice, where the border between the real city and the perceived city is permeable, as if this aqueous dimension overflows from one side to the other without making either part of the city defined.

Although the city without people might appear dead at first and quick glance, this dimension had something redeeming. The wave motion had disappeared, as there was no longer the activity of man and boats and the lagoon which in the absence of waves had returned to being a mirror. A second reflected image where it was finally possible to perceive all its most sincere and profound essence.

This is the vision of a city, Venice, wich, thanks to lockdown period of March 2020, could reveal and unveal itself in an unprecedented way. Here the real city (of architecture, water, sounds and reflections) and its memory mix and confuse into a single idea of Venice.

(Ugo Carmeni and Chiara Marin)

Zenevia sommersa dalle acque

Live recording, editing e mastering, 2020
Produced by V-A-C Zattere during the workshop programme of DK ‘Zattere’ 2019–2020

Zenevia is a detective story set in an eerie parallel Venice. This interrogation-style audioplay plays with the more traditional narrative by bouncing between two worlds and timelines, with flashbacks and commentary on current Venice issues. The script and sound design were created by five participants of a dedicated workshop led by the writer and professor Alessandro Cinquegrani and composer Daniela Fantechi. Zenevia connects to the overall theme of the DK ‘Zattere’ 2019–20 programme, exploring the sensations, states, new worlds and perspectives brought on by floods.
This content is in Italian.

@ Francesca Seravalle

Voices: Ginevra - Francesca Seravalle
Poliziotto - Roberto Di Robilant
Gondoliere - Alessandro Gambato
Olmo - g. olmo stuppia
Fosca - Valentina Confuorto
with Giulia Morucchio
Text: Roberto Di Robilant, Valentina Confuorto, Alessandro Gambato, Francesca Seravalle, g. olmo stuppia
Text supervision: Alessandro Cinquegrani
Music & sound supervision: Daniela Fantechi
Recording, editing and mastering: Alessandro Gambato
Production: Giulia Morucchio, Polina Filimonova
Curator: Nikita Rasskazov

PAN-è

Sound Design, 2019
[All credits to Alex Tonussi, Marco Lupieri, Davide Duranti, Gianluca Malshyti]

The project was born from an analysis on cultural boundaries. More and more in our society we are confronted with foreigners and new cultures. Hence new mental logics that often lead to incomprehension, where contact with the different is seen as a fear thus becoming a limit. The word boundary does not necessarily promote a distinctive separation, but also an interface area where meetings, interactions and exchanges take place that often lead to a fusion of cognitive horizons and daily practices. Different traditions, beliefs, cultures and lifestyles meet and inevitably engage in a peaceful or antagonistic dialogue, but which always leads to stimulating mutual knowledge and familiarity, and potentially understanding, respect and solidarity. With our project we have therefore decided to investigate and work on this area, trying to insert a group of users within an experience, where through interaction and performance we try to stimulate a reflection on the theme of the different and a sense of respect and tolerance. The language adopted is that of religion, a language which often, misunderstood, has led to fragmentation of our society. The aim of the project is to demonstrate how the various beliefs and customs, however different in their writings and gestures, all start from a common thought, of norms and teachings that firstly seek to respond to the need to create a civil sense of solidarity, good coexistence and mutual respect within a community. Mutual knowledge will therefore be able to generate new interfaces, spaces and horizons where the largest of the "faiths", respect, will belong to the individual.

The music was made by stretching and manipulating a Gregorian chant ("O Euchari", Hildegard of Bingen) to recall the meditative sounds typical of many religious rituals, while alienating their original meaning thanks to the sound treatment.

Libro del Sapere
Libro dello Spirito